One of the best decisions an aspiring author can make is to join a local writers’ group. Camaraderie and encouragement are nourishment for the soul.

Writing groups also provide a golden opportunity for skill-sharpening. Constructive critique — giving and receiving — is crucial to becoming a better writer.

Here are some “best practices.”

1. Bring a printed copy of your WIP (work-in-progress).

This shows that you take the group’s time seriously. You came prepared. You’re not scrolling through your device, hoping a passage will catch your eye.

Feel free to preface your reading with what you’d like critiqued: dialogue, pacing, world-building, character development, or all of the above.

2. Keep the context brief.

Don’t share an in-depth synopsis of your story arc. Set the scene and get reading with as little preamble as you can get away with.

Hint: Write down what you want to say about the context beforehand. Edit and refine it as you would anything else you’ve written. The more specific the “ask,” the more incisive the critique.

3. Write down everything your peers say.

This is another reason why a printed copy is vital. Jot down notes in real time. Here’s why:

1. You’ll never remember what they say unless you write it down. You think you will — but you won’t.
2. It shows that you value their critique. If all you do is nod vaguely (or look defensive), you won’t get much out of the exercise.
3. You’ll find a deeper level of engagement when the group sees the value you place on their input. If your goal is to sharpen your WIP, make it easy for your peers to help you.

4. Thank everyone.

Never underestimate the value of showing gratitude. Even better: if you’re excited about revising your WIP based on their input, say so (out loud). Your example will facilitate a “safe zone” for other writers — who may be more nervous than you — to risk sharing their work.

You’ll reap the benefits the next time you ask for a critique. People are more likely to give you stellar input when they know you appreciate it.

5. Greet the newbies after the meeting.

Remember your first visit?

The customary “go around the circle and tell us your name and genre” is a great start, but it’s not enough to build community. The newbies won’t realize how many times we’ve gotten together in cafés for “writing parties,” or hung out over drinks at writing conferences. If we don’t reach out, they may conclude we’re snobs, or that the nagging little voice in the back of their mind (imposter syndrome) was right, after all.

It’s easy to gravitate to friends we already know. Extend the circle; the newbies are watching. And waiting.

Genuine community + a safe zone to take risks = legitimately constructive critique.