Dissident (T2) Book Launch

Dissident (T2) Book Launch

“Deeper, darker, and even better than the first one.”
“As edgy as the title suggests!”

from the back cover

The Cascadia Enclave is the ultimate symbol of the Hoarders’ dominance. From behind its impenetrable walls, they escalate their relentless campaign to Implant the innocent, while their subhuman Trackers hunt down and exterminate the unfortunate.

The only hope for Amos Morgan, Aubrey Carter, and their team of Runners is to infiltrate Cascadia and take the fight directly to the Hoarders. But they’ll need help from inside the Enclave, and their only guide may be a double agent.

Then there’s Tracy. Hoarders stole her humanity, turned her into a Tracker, and left her for dead. The Runners took her in, but can she be trusted?

One thing is clear: she’s on a mission.

available at:

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Breaking Out of the Genre Straitjacket

Breaking Out of the Genre Straitjacket

At times, it feels like someone has a gun pointed at your head.

“Choose a genre. Sci-fi. Dystopia. Supernatural thriller—it doesn’t matter. Just pick one. But then don’t you ever step outside the prescribed tropes. Or your writing career’s gonna be in the toilet, capisce?”

As an author working on a couple of future releases which I’d describe as “supernatural thrillers set on another world,” I chafe at the implied genre constraints.

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Café Espresso Attack

Café Espresso Attack

Dissident Flash Fiction #2

In Dissident, we are introduced to a new POV (point-of-view) character: Connor Sinclair.

Connor is typical in many ways: a history major in his first-year of university, just shy of his eighteenth birthday, with a tight-knit circle of friends and a favorite café hangout.

He’s also a Hoarder (one of the bad guys).

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the Dark Side

the Dark Side

Dissident Flash Fiction #1

“Dystopian … Ah yes, the dark side of science fiction.” (anonymous comment)

I like writing dystopian stories. As they say, “a candle shines brightest in the darkness.” In a dark, daunting, and dystopian setting, the actions of the few who refuse to be cowed into submission become truly heroic.

For example, there’s no super-powers involved. No special abilities. In a dystopian world, heroes are ordinary people, called upon to accomplish extraordinary things.

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5 Best Practices for Writing Groups

5 Best Practices for Writing Groups

One of the best decisions an aspiring author can make is to join a local writers’ group. Camaraderie and encouragement are nourishment for the soul.

Writing groups also provide a golden opportunity for skill-sharpening. Constructive critique — giving and receiving — is crucial to becoming a better writer.

Here are some “best practices.”

1. Bring a printed copy of your WIP (work-in-progress).

This shows that you take the group’s time seriously. You came prepared. You’re not scrolling through your device, hoping a passage will catch your eye.

Feel free to preface your reading with what you’d like critiqued: dialogue, pacing, world-building, character development, or all of the above.

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Book Promotion during COVID-19

Book Promotion during COVID-19

There’s been a surprising amount of discussion—accompanied by a certain level of angst—about book promotion during the current pandemic.

The concern seems to be about the optics of promoting a new book you’ve written while readers may be struggling financially due to layoffs and stay-at-home sheltering orders.

Writers are understandably concerned about appearing heartless, callous, or tone-deaf about the real struggles faced by an overwhelmingly large swath of the population. Nobody wants to be lumped in with the selfish profiteers who bought up all the hand sanitizer for resale. Or those hoarding enough toilet paper to supply a Martian colony for a year.

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