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Tracker (Behind the Scenes): Death in the Alley

Tracker (Behind the Scenes): Death in the Alley

The “Death in the Alley” scene represents a turning point (neither the first nor the last) in the fast-paced story of Tracker.

The first meeting of the two main POV characters, Amos Morgan and Aubrey Carter, isn’t your typical “Good afternoon, charmed to make your acquaintance introduction.”

Amos arms himself with a combat hunting knife, wishing for something deadlier. Aubrey’s life flashes before her eyes, and she almost forgets to breathe.

Everyone’s nerves are on edge, to say the least. Amos and Aubrey’s companions — Don, Sheila, Stephen, and the acerbic Jane “Snake Lady” Avery — share the same jittery trepidation. Narrowly averting disaster, the new acquaintances dare to relax, breathing a collective sigh of relief.

Then a third POV character — a Tracker — shows up.

And the body count starts to rise.

Trackers may be considered “soul-less,” but they are grimly efficient in their obsession with the “Harvest.” That Runners must die in order for the Trackers to collect their Implants is of no concern.

Amos is right — a combat knife is a mediocre defense against the brutality of an enhanced killing machine.

the Runner

the Runner

(Tracker flash fiction #1)

Amos was running long before he knew he was a Runner. The trauma from his twelfth year drove him, stalking his dreams, corroding his waking hours.

He did his best to control it, to put a clamp on the accusing inner voice, to block out the recurring nightmares.

Over time, he’d learned how to cope, to carve out a semblance of normalcy in the chaotic world they’d inherited after the Hoarders abandoned them.

Until the day it was confirmed by Doc Simon: the hated Hoarders had buried an Implant in his body — somewhere. And now he was fully a Runner, a human time bomb, and a threat to anyone close to him if his Implant activated.

And he was also a target for the subhuman Trackers. The blood-thirsty creatures would stop at nothing until they’d gutted him for the microtechnology hidden in his body.

So Amos did what any Runner would do. He ran …

Available in print and ebook at:

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More flash fiction previews


Diagnosis: Implant

Fear the Harvest
Why YOU should attend a writing conference

Why YOU should attend a writing conference

I’m a big fan — and shameless advocate for — writing conferences. It doesn’t matter where you’re at in your writing journey. It’s in your best interests to attend a writing conference as often as you can.

At the very least, you’ll find yourself surrounded by other people as book-nerdy as you. Creative souls who can encourage, challenge, sharpen and cheer you on.

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Foreshadowing the New Release: Tracker

Foreshadowing the New Release: Tracker

Two generations ago, Earth’s richest citizens — the Hoarders — seized control of the planet’s resources, retreated into their heavily guarded Enclaves, and left the rest of the population to fend for itself.

Until recently, when the Hoarders began to randomly implant people with a new kind of micro-technology, capable of converting their unsuspecting hosts into violent and deadly automatons.

They also created the Trackers, chemically and mechanically enhanced creatures fanatically devoted to hunting down and killing anyone unlucky enough to have an Implant.

Amos Morgan and Aubrey Carter, together with a small band of fellow Runners, must unravel the mystery, racing against time before the Trackers discover them.

And before their own Implants change them into …

Something else.

Before the Trackers, survival was easy.

November 6, 2019

Character sketches & keeping secrets

Character sketches & keeping secrets

Creating characters who are genuinely interesting = putting in the time and energy it takes to write their “back story.”

Characters are like real people: they have likes, dislikes, hopes, anxieties, dreams and phobias. They have families, friends, and life experiences which shaped their thinking, beliefs, instincts, reactions, and motivations.

Real people are a wonderful, messy, walking mass of contradictions, and believable characters are the same.

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An alien by any other name: Identifying your genre

An alien by any other name: Identifying your genre

One of the earliest and least-expected decisions I faced as an indie author was identifying a genre for Tracker (Book 1). I assumed the answer would be easy.

Well, duh. Sci-fi, Sherlock. It’s not rocket science. Yeah … except when some people hear “sci-fi,” what pops to mind is this pulp fiction-era artwork.

Um, well — ahem … Pulp fiction art is retro-cool, but it doesn’t adequately represent the wide range of stories in the genre.

Science fiction is a subcategory of what’s known as “speculative fiction.” Within the sci-fi genre itself, there are a surprising number of subgenres. And, to further muddy the waters, “cross-genre” writing is also alive and well.

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Creative Ink Festival—Gasoline to a Writer’s Campfire

Creative Ink Festival—Gasoline to a Writer’s Campfire

A few weeks ago, I attended my first Creative Ink Festival for Writers and Readers in Burnaby BC. It was a packed weekend — sardine-worthy in terms of overflowing workshops and sessions.

As for the content of said workshops and sessions, it was a smorgasbord of inspiration, consternation, and passionate presenters who didn’t always agree with each other.

The wide range of opinions was both fun to observe and challenging to think upon.

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Inspiration = Think Weird

Inspiration = Think Weird

Where do writers come up with their ideas? What fuels their creative inspiration?

We’ve all nodded with sympathetic understanding when someone reminds us: Ten percent inspiration, ninety percent perspiration.” But that doesn’t really address the question about the ten percent, does it?

The answer could be as simple as “think weird.”

Or, to be more accurate, get used to looking at normal, every-day situations, and ask yourself: “What if?

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Perfect Pitch: Not Just for Baseball Anymore

Perfect Pitch: Not Just for Baseball Anymore

In music, having “perfect pitch” means your ear is so finely attuned that you can pick out a single note and name it without fail.

It’s a great help when tuning a guitar, but when pop singers make a “style” of deliberately singing flat, it can be like fingernails on a blackboard.

When it comes to writing, there isn’t one — a perfect pitch, that is. Pitching a novel to an agent is trial and error. You, the author, are on trial, and you’re going to make errors. So, relax and enjoy the adrenaline.

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Know the Rules — Break ’Em Anyway

Know the Rules — Break ’Em Anyway

Writing speculative fiction is not an exercise in chaos. Nor is it the literary equivalent of “throwing spaghetti against the wall and keeping what sticks.”

At the same time, this picture does feel strangely familiar. Especially when writing the first draft of a new novel.

The “rules” for writing speculative fiction are very much in the eye of the beholder. Yes, admittedly, there is a consistent body of wisdom setting broad parameters for the genre and its tropes. Yet even among the most successful authors, there is a wide range of strongly-held opinions.

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